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PostPosted: Tue Jan 20, 2015 7:00 pm 
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Brazilian Rosewood
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I have some tops that would get a cleaner face if I jointed them opposite of the bookmatched marks. Anything wrong with jointing the inside edges of the tree?


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PostPosted: Tue Jan 20, 2015 7:08 pm 
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Anything wrong with jointing the inside edges of the tree?

Nope. I think the traditional way is done just because tighter grain lines in the center are considered better looking. Technically either way would be bookmatched and if the board behaved on the resaw should look symmetrical.


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PostPosted: Tue Jan 20, 2015 7:41 pm 
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Brazilian Rosewood
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I guess there's an increased risk of runout along the joint...


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PostPosted: Tue Jan 20, 2015 7:43 pm 
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Here's a discussion about it from a while back http://www.luthiersforum.com/forum/viewtopic.php?f=10101&t=43821

Basically, it depends on the grain. Does it go off quarter toward what would normally be the outer edge? Is there more runout at one side than the other?

I'm actually more inclined toward the usual tight grain center, wide grain outside being structurally worse with all but perfect wood. Reason being, tight grain is usually from the outside of the tree, and spiral growth causes more runout toward the outside of the tree, and runout affects long grain stiffness, and that needs to be highest in the center of the soundboard where the stress is most concentrated. And if the grain goes from narrow to wide due to drifting off quarter, then the wide grain part will have lower cross grain stiffness. But in the center of the soundboard, the bridge ties it all together and forces it to bend equally, whereas toward the outside, the cross grain stiffness of the plate has more of a role in spreading the stress.

But I do think tight grain center, wide grain outside looks better.


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PostPosted: Tue Jan 20, 2015 8:27 pm 
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Koa
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So are sounds boards on the $100,000+ guitars on display at the Martin factory reception center put together backwards? Some have wide grain at the center. Actually there is a video with Dick Boak and I think Dan E. from Stew Mac exalting the benefits of wide grain at the center. I'll find it and post.

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PostPosted: Tue Jan 20, 2015 9:11 pm 
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Brazilian Rosewood
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Thatd. E grat, thanks. At least I know if I go ahead, it won't be a sale breaker...


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PostPosted: Tue Jan 20, 2015 9:23 pm 
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Koa
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here's the vid link

http://acousticguitarconstructionforum. ... 045#p16045

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PostPosted: Wed Jan 21, 2015 6:44 pm 
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Quote:
So are soundboards on the $100,000+ guitars on display at the Martin factory reception center put together backwards? Some have wide grain at the center.

Some of them are. I believe Martin did it to reduce visible runout at the seam. However, the amount of runout that is usually deemed acceptable is not enough to appreciably reduce long grain stiffness. But besides appearance, there is another legitimate reason to minimize runout at the seam. That is, it reduces top damage if the bridge lifts, or if either the bridge or bridgeplate must be removed for repair.
Quote:
Reason being, tight grain is usually from the outside of the tree, and spiral growth causes more runout toward the outside of the tree, and runout affects long grain stiffness, and that needs to be highest in the center of the soundboard where the stress is most concentrated.

If the tops are cut from long logs (parallel to the bole) and there is spiral present (as on most spruce logs), then runout is maximized on the bark edge of the tops.
But if the wood is cut into short blocks and split, it can be sawn parallel to the split at the bark. That minimizes runout at the seam, and allows for joining the edge that is usually (but not always) tighter-grained. It also allows better use of smaller logs....since defects like pin knots and heart checks (which are primarily near the heart) can be avoided by the layout of the pattern.
The other reason to join the bark edge is that on small logs, the growth ring radius is so much smaller in the heart that when cutting parallel plates, that edge is much more likely to be off-quarter.

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These users thanked the author John Arnold for the post: Goodin (Wed Jan 21, 2015 7:30 pm)
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PostPosted: Wed Jan 21, 2015 7:47 pm 
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Since we are on the topic, what about backs?

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PostPosted: Wed Jan 21, 2015 8:55 pm 
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Actually the top on my '33 OM-18 and my '21 00-21 both have wider grain in the center.


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PostPosted: Thu Jan 22, 2015 3:03 am 
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Quote:
what about backs?

Most backs don't have a bridge glued in the center with 180 pounds of string tension pulling on it. That is one way to say that it is much less important about the orientation than the top.

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PostPosted: Thu Jan 22, 2015 8:12 am 
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Dick Boak -- guitar historian and Martin employee explains the "Martin" logic for grain orientation (wide/narrow) in this video starting at 1:32

http://acousticguitarconstructionforum. ... 045#p16045

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PostPosted: Thu Jan 22, 2015 1:50 pm 
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! epoN yaS I

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The Shallower the depth of the stream , The Louder the Babble !
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Wanna Leave a Better Planet for our Kids? How about Working on BETTER KIDS for our Planet !
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PostPosted: Thu Jan 22, 2015 3:25 pm 
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WudWerkr wrote:
! epoN yaS I


Thats what happens when you type in front of a mirror, Wud! :D

Alex

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PostPosted: Sun Jan 25, 2015 3:15 pm 
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Brazilian Rosewood
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Most tops that have spiral grain do start out fairly straight, and spiral more as they get older, but not all. I've seen tops, particularly in Red spruce, that show 'stripe', where the runout reverses as you go across the board. I have my suspicions about this, but so far as I know there's no real consensus about why trees develop spiral grain or stripe. I don't buy the notion that they're 'following the sun', but it's possible that sun exposure may have something to do with it.


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PostPosted: Mon Jan 26, 2015 7:38 am 
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John Arnold wrote:
Most backs don't have a bridge glued in the center with 180 pounds of string tension pulling on it.


But some people like to push against tradition.

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PostPosted: Mon Jan 26, 2015 10:00 am 
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Mike Lindstrom wrote:
John Arnold wrote:
Most backs don't have a bridge glued in the center with 180 pounds of string tension pulling on it.


But some people like to push against tradition.



CHALLENGE ACCEPTED !!! laughing6-hehe laughing6-hehe laughing6-hehe

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The Shallower the depth of the stream , The Louder the Babble !
The Taking Of Offense Is the Life Course Of The Stupid One !
Wanna Leave a Better Planet for our Kids? How about Working on BETTER KIDS for our Planet !
Forgiveness is the ability to accept an apology that you will probably NEVER GET
The truth will set you free , But FIRST, it will probably Piss you Off !
Creativity is allowing yourself to make Mistakes, Art is knowing which ones to Keep !
The Saddest thing anyone can do , is push a Loyal Person to the point that they Dont Care Anymore
Never met a STRONG person who had an EASY past !
http://wiksnwudwerks.blogspot.com/
http://www.facebook.com/groups/GatewayA ... rAssembly/


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PostPosted: Mon Jan 26, 2015 10:14 am 
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WudWerkr wrote:
Mike Lindstrom wrote:
John Arnold wrote:
Most backs don't have a bridge glued in the center with 180 pounds of string tension pulling on it.


But some people like to push against tradition.



CHALLENGE ACCEPTED !!! laughing6-hehe laughing6-hehe laughing6-hehe


Do I see a new February Doofus Move candidate in the making? laughing6-hehe

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PostPosted: Mon Jan 26, 2015 7:57 pm 
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I am seeing myself in the Doofus column on a regular basis in the coming months. I'm going to beat the rush, and get myself some new business cards.

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Alex


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